Throughout the festival
Motherboard: Only the voice remains
The sculpture and sound installation Bruddet at Domkirkepladsen
The title Only the Voice Remains comes from a poem by Iranian author Forugh Farrokhzad.
Through the Breach, the "voice of man" and the "voice of nature" is experienced and reflected in the surroundings.
Available throughout the festival.
Free of charge
10:00 am
High mass
Ribe Cathedral
Rued Langgaard:
From Symphony no. 14 The Morning (1947-48).
Arrangement for choir and organ.
- Opening Fanfare.
The Star of the Kings... (from Paul's first letter to Timothy) (2')
- Sun and Beech Forest.
Vivat species!
(Long live beauty!) (Rued Langgaard) (1')
Ribe Kammerkor
Ribe Domkirkes Pigekor
Ribe Domkirkes Ungdomskor
Jonas Hunt, conductor
Birgitte Ebert, organ
Free of charge
11:30 and 13:00
Rued and Dora: 'Catholic in the head'?
Langgaard Hall
A Catholic thread runs through Rued Langgaard's life and music, which can be experienced in the piano work Sponsa Christi tædium vitæ (The Bride of Christ) BVN 297, played in Dora - Summer 1913.
After the identity of Rued Langgaard's great love, Dora From, became known in 2017, it turned out that Langgaard's interest in Catholicism is very much linked to Dora.
Lecture by Bendt Viinholt Nielsen.
12.00 pm
Langgaard's piano
The Old Town Hall
Sit down concert with Benjamin Arnika Skydsgaard playing evocative pieces by the festival's three composers on Rued Langgaard's historic Bechstein grand piano.
From Rued Langgaard's Catholic-inspired Chiesa madre (Mother Church) to Anton Bruckner's Erinnerung and Benna Moe's dreamy Gondoliers Serenade.
Also visit the Rued Langgaard exhibition on the first floor of the Old Town Hall.
Free of charge
At 15.00
Bruckner's 7.
Sct.
Catharinæ Church
Benna Moe:
- Ave Maria Vocal voice, organ and obbligato violin
Rued Langgaard:
Songs:
- Marienlied (Eichendorff) BVN 76 (1914) (3')
- Auf dem Kirchhof (Liliencron) BVN 245 (1914/1940s) (2')
- Ved Kyrkhult Kirke (Langgaard) from Five Songs BVN 103 (1915) (2')
- Der skinner en Sol (Langgaard) from Five Songs BVN 103 (1915) (2')
Pause
Anton Bruckner:
Symphony No. 7 in E major WAB 107 (1881-83) Chamber music version by Arnold Schönberg students Hanns Eisler, Erwin Stein and Karl Rankl for string quartet, double bass, clarinet, horn, four-hand piano and harmonium (1921) (65')
- Allegro moderato
- Adagietto: Sehr feirlich und sehr langsam
- Scherzo: Sehr schnell - Trio: Etwas langsamer
- Finale: Bewegt, doch nicht schnell
Benjamin Friis Nielsen organ
Louise McClelland Jakobsen, soprano
Kristoffer Hyldig, piano
Jeppe Mangaard, piano
Philip Schmidt-Madsen, harmonium
Esbjerg Ensemble
TBA, double bass.