Sunday
September 7, 2025
Tickets can be purchased via the link under the concert/event description.
Subject to change without notice
10:00 am
High mass
Ribe Cathedral
Music by Rued Langgaard and others:
Jonas Hunt, conductor
Birgitte Ebert, organ
Free access
At 11:30 and 13:00
Langgaard's Antichrist - a life project in words and sounds
Langgaard Hall
After Rued Langgaard wrote the libretto and music for his doomsday opera Antichrist from 1921-23, he returned to the work again and again in a vain attempt to get the opera performed.
For Rued Langgaard, Antichrist was a masterpiece, a child of pain and a modern mystery.
Lecture by Bendt Viinholt Nielsen
12.00 pm
Langgaard's piano renovated
Café Rued
Sit down concert
Throughout his life, Rued Langgaard owned a Bechstein grand piano from the 1890s. It has now undergone a historically conscious renovation at the Bechstein factory in Germany, restoring the instrument to a condition reminiscent of what Rued Langgaard experienced in his time.
Piano music by Tekla Griebel Wandall, Ludolf Nielsen and Rued Langgaard.
- Christian Westergaard, piano.
Free access
At 15.00
Peace
Sct. Catharinæ Church and monastery yard
Concert with intermission about Rued Langgaards Bænk in Klostergården
The festival ends with an eternal message. A wish for peace expressed in tones and words by Tekla Griebel Wandall and Bjørnstjerne Bjørnson and now for the first time in a version for ensemble. A luxury that was not possible when the music was first performed at the Women's Peace Meeting in 1899.
Before that, we get close to both Ludolf Nielsen - whose String Quartet No. 3 contains life crisis and hope - and Rued Langgaard, who unleashes demonic forces in Humoreske.
During the concert break, the threads of Rued Langgaard Festival's Rued Langgaard's Bench are brought together when Niels Lyhne Løkkegaard's tones and Jonas Eika's words unite in the ancient monastery courtyard.
Concert in the church
Ludolf Nielsen: String Quartet No. 3, C major (1916-20) (25')
- Allegretto pastorale
- Allegro moderato grazioso
- Adagio con dolore
- Allegro
Langgaard: Humoresque Sextet. Flute, oboe, English horn, clarinet, bassoon and military drum. BVN 176 (1922-23) (12')
Solonne crudele - Allegro rigoroso - Tempo primo - Fuga con disperatezza - Lento aspramente - Semplice lusinghiero - Con umore - Semplice pastorale - Lento minaccioso
Break in Sct. Catharinæ Klostergaard
Rued Langgaard's bench. The final
Find a seat in the monastery courtyard and listen to the music in the cloister, the running water in the stone basin and the words from Open Heaven.
Niels Lyhne Løkkegaard: Rued Langgaard's bench III
Reverberations of Langs Kirkegaarden, Vildænder and Ekko from Rued Langgaard's quartet Ribe, tidlig Morgen BVN 386 (1949) First performed.
Jonas Eika reads from Open Heaven, which is a fantasy about the Christian women's movement, the Beguines.
Cast:
- Dybfølt: Kirstine Elise Pedersen, cello and Mathæus Bech, bass.
- Ensemble with students from Ribe Katedralskole
- Soundbox with recording of Rued Langgaard's bench from Rued Langgaard's grave at Holmens Cemetery in Copenhagen.
Fully or partially hidden in the corridor.
Duration: 15 min.
The concert continues in the church:
Tekla Griebel Wandall: Smaa Pieces for Three Chinese Bells (1912)
- March
- Waltz
- Evensong
Ludolf Nielsen: Capriccio (The Brook) (1922) for flute, oboe, cello and marimba. Arrangement.
Tekla Griebel Wandall: Peace! Excerpt from Björnstjerne Björnsson's Oratorio (1891). For two solo voices (soprano and alto), women's choir and piano (1899). Arrangement by Jonas Hunt for Esbjerg Ensemble. Utilization.
Cast:
- Laura Helene Hansen, soprano
- Sophie Haagen, mezzo-soprano
- Our Savior's Church Women's Choir
- Esbjerg Ensemble
- Conductor: Mikkel Andreassen





